皮埃尔是维希的一家酒店的出纳员。他那天生害羞的性格，导致他无法和女孩正常交流。一天皮埃尔被一个正在他们酒店参加豪华一月游的美丽女子艾格尼丝深深吸引。为了彻底治疗害羞，他通过报纸广告认识了一个名叫阿尔多的推销员，这个谎称自己是心理研究所专家的家伙忽悠皮埃尔购买了一大堆产品。接下来自认为已经治愈的皮埃尔毅然放弃工作，追随艾格尼丝的足迹开始了一系列令人啼笑皆非的泡妞之旅……

皮埃尔是维希的一家酒店的出纳员。他那天生害羞的性格，导致他无法和女孩正常交流。一天皮埃尔被一个正在他们酒店参加豪华一月游的美丽女子艾格尼丝深深吸引。为了彻底治疗害羞，他通过报纸广告认识了一个名叫阿尔多的推销员，这个谎称自己是心理研究所专家的家伙忽悠皮埃尔购买了一大堆产品。接下来自认为已经治愈的皮埃尔毅然放弃工作，追随艾格尼丝的足迹开始了一系列令人啼笑皆非的泡妞之旅……

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

My grandfather was Leo Hurwitz. If you don't know this name, it is understandable. Leo Hurwitz is recongnized as one of the founding fathers of the documentary genre. He along with his production company, called Frontier Films, made several very important films including Native Land, seen as one of the greatest documentaries of all time. His was to be a quite successful carear. This all came crashing to a halt, when his name was named by Elia Kazan. He was relegated to small low budget work, none of which ever gained noteriety, as we was forbidden to work on any major project. What makes this worse, is that, though my Grandfather had many socialist ideals, he was not a communist. He was a firm believer in democracy. His carear was ended because someone thought he was communist. Think about that, when you talk about this man.

远离尘世，欲望不能升华只能释放，不过这里恍如伊甸园东，善恶到头会现形。他的欲望眼神，到这里工作的头一天便没法遏止，农场主人的女儿绽放的肉体，野外气息中特别芳香。只三人走动的空间，他眼睛碰到的，总都是她的身影。她张开大腿，解下钮扣，早料到他会偷看。谁是谁的饵，你不会清楚。镜头有时借来牛羊的眼睛，不只乱冲乱撞，而且景深浅，视野窄，他看不远却看得真，他看到她的幻象、她残忍下的温柔。虚实互通的世界，爱和残暴在两性体内体外延展又延展。